Description

"The beautiful murrine, full of so many beautiful colours, like my lagoon, my sea, my sky, like San Marco, like the fires of our furnaces. What joy in the ability to transform glass into many precious jewels, more beautiful than those of the jewellers, more beautiful than the eyes of Oriental women." Vittorio Zecchin
"The ‘Thousand and One Nights’ cycle was executed by the artist on commission from the owners of the Terminus Hotel of the Lido di Venezia. The 1914 cycle is one of the most important works by Vittorio Zecchin. This versatile artist is, however, best known for his work in the field of applied arts, as opposed to painting, due to the relatively lower number of paintings he completed. [...] Influenced by the vivid polychromy of Gustav Klimt and the essential linearity of the works of Jan Toorop, Zecchin was able to create a personal visual language based on the exuberant vivacity of colour and on the quality of execution which is particularly evident in the minute polychrome details, in which Zecchin was able to instil the typical Muranese technique of the ‘murrina’. The work can be interpreted as a large mosaic of painted murrine."

Collection

Documents Villes

Titre

Le mille e una notte

Titre Alternatif

Les Mille et Une Nuits

Date

1914

Format

Tempera sur bois

Dimensions

58 x 65 cm

Source

Dorotheum (consulté le 18/06/2020)

Droits

Non libre de droits