Le paysage, lieu d’un repaysement
Description
[Abstract]
Artists and writers, whether exiled or merely seeking a change of scenery, have often chosen the Mediterranean or, more generally, the South, as the ideal spot, a space in which they can create, or write. In 1934 Ossip Zadkine chose to set up a studio in Arques, in the Lot, and it was beneath a light that he perceived as Southern that he rediscovered the presence of trees and a soil which nourished his sculpture-work. Just as Lawrence Durrell liked to say that we are "the children of our landscapes," so the South became for Zadkine a place of rebirth or at least of reinvention.
Collection
Contenus liés
| MEDITERRANEE |
Titre
Le paysage, lieu d’un repaysement
Titre Alternatif
in Le pays méditerranéen en profondeur
5. Transforming the Mediterranean: Hinterlands Unbound / Méditerranée mobile : l'arrière-pays réinventé
Créateur
Éditeur
Revue Caliban,French Journal of english studies
Date
2017, n°57
Langue
Format
p. 345-355
Identifiant
https://doi.org/10.4000/caliban.5205
Source
OpenEdition
Lire l'article en ligne
Droits
Non libre de droits